What hides beneath the Virgen de Regla sanctuary in Chipiona?

Until now, it was believed that the monastery of Nuestra Se?ora de Regla began as a fort and a chapel donated in 1399 by Alonso P¨¦rez de Guzm¨¢n, a Spanish nobleman and hero of Spain during the medieval period. But Ramos and his team argue that it dates back almost seven centuries earlier. Their reasoning is based on the study of two incongruous design aspects: a split window and a mysterious underground chamber whose purpose has always been unclear.

There are almost daily discoveries here

Antonio Ramos Mill¨¢n, archeologist

¡°Its existence was known but nobody realized what it had been,¡± says Ramos, referring to the recent discovery. On the strength of Ramos¡¯s theory, the Andalusian culture department is going to revise the site¡¯s designation plans as a Cultural Interest Site, in order to incorporate the new findings.

Measuring 15 meters in length and 4.5 meters across, the underground chamber lies beneath the monastery that is joined to the 20th-century church. It is covered with a grand barrel vault with three semi-circular arches built around the 7th century. Inside, there is a drinking well beside an arched recess, used by the early churches to bury martyrs.

¡°It wasn¡¯t a funeral crypt,¡± explains Ramos. ¡°It was a place of worship, a legacy from the catacombs of the early Christians.¡± Ramos adds that the chamber was the lower floor of a two-floor Visigoth building used for monastic purposes.

The Franciscan monks who now inhabit the building have been aware of the chamber for some time. ¡°It has been used as a wine cellar, a refuge and to hide the Virgen de Regla [statue] during the Civil War,¡± says Ramos. ¡°It¡¯s not that we have discovered that it is there but that we have discovered what it was.¡±

The same applies to the split window comprised of two horseshoe pointed arches that triggered the research 10 years ago. Until now, it was believed to be Mudejar in design ¨C an art style that combined Muslim and Spanish art after the Reconquest.

However, Ramos believes the window to have been fashioned many years earlier as a feature of the upper floor of the Visigoth temple. The Mozarabs ¨C Christians who lived under Arab rule ¨C kept the chamber as a place of Christian worship until, at the start of the 12th century, the Almoravids took over Al-Andalus and exiled the Christians living in the south of Spain to the north of Africa. Subsequently, the building was turned into a castle or fort that incorporated a mosque and the window was redesigned to suit the Almoravids¡¯ taste, according to Ramos¡¯s theory.

¡°It was a symbolic window,¡± says Ramos, who adds that its significance also lies in the fact it confirms the existence of a fort that, although subsequently converted back into a place of Christian worship, has been almost perfectly conserved.

Alluding to the chamber¡¯s earlier purpose, he says: ¡°We don¡¯t know of any Visigoth crypts that are still entirely whole ¨C there¡¯s just the obvious example of the part of the San Antol¨ªn crypt in Palencia Cathedral.¡±

This fragment of the past that provides a fuller historical picture is now to be incorporated into the site¡¯s status as a place of cultural interest, though in the short term there are no plans to open it to the public. According to Ramos, the site is likely to throw up more secrets.

¡°There are almost daily discoveries here,¡± he says. That, of course, is to be expected from a place of worship that has been batted back and forth between religions over the course of 1,300 years. ¡°In fact, the current Franciscan Order is heir to a thousand years of monastic tradition,¡± says Ramos.

English version by Heather Galloway.